Condo, the brainchild of Vanessa Carlos of Carlos/Ishikawa, is back to liven up an otherwise quiet moment in London's art calendar. The format is simple: thirty-six international galleries are hosted across fifteen of the most progressive commercial spaces in London.
The group exhibition at Ballroom Marfa, curated by Tom Morton, begins with Damián Ortega’s The Root of the Root (2011–13) and finishes with Shimabuku’s Oldest and Newest Tools of Human Beings (2015). Ortega’s installation is a sculptural composition of tree branches carved by a community of chimpanzees in Nigeria....
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