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b. 1975, Germany

Florian Hecker Related Press

Theatre of Perception Related Press Theatre of Perception 21 March 2019, NERO Editions

SynAsTex Korrektur (2019) is a synthetic composition embracing the histories of analysis, abstraction and resynthesis of sound, in a live, computer-generated, 9-channel sound piece by the German artist Florian Hecker, one of the leading exponents of contemporary computational music. Presented by Xing, the School of Engineering and Architecture...

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Il teatro della percezione di Florian Hecker Related Press Il teatro della percezione di Florian Hecker 30 January 2019, ATP DIARY

Florian Hecker: 'My works are sound pieces, "installations," that is to say, compositions and, in the majority of cases, are more space- than site-specific. This bifurcation, which leaves art-theoretical and musicological interpretations open, is able to situate and comment historically upon different references and components appearing...

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6. 1935 Related Press 6. 1935 23 December 2018, Technosphere Magazine

What do machines hear that humans cannot? Artist Florian Hecker explores the formal, perceptual, and aesthetic possibilities afforded by custom machine-listening software in 1935. Through the use of computer audition, Hecker explores degrees of perceptual resolution hitherto inaccessible via human listening.

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Interview with Florian Hecker | #LiveArtsweekV Related Press Interview with Florian Hecker | #LiveArtsweekV 20 April 2016, ATP DIARY

These investigations focus on the decomposition of sound and on synthesising incompatible modalities, surpassing their respective particularities without fusing them, in order to obtain a narration beyond immediate comprehension, which may be deciphered through repeated, ‘active’ listening.

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