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Taloi Havini: Reclaiming Space and History Latest Ocula Conversation
In Partnership with Artspace Sydney
Taloi Havini: Reclaiming Space and History By Ruth McDougall, Sydney

Artist Taloi Havini and Ruth McDougall, curator of Pacific art at Queensland Art Gallery and Gallery of Modern Art, discuss Havini's first Australian solo exhibition, Reclamation .

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Armory Week Lowdown: Art Shows to See Latest Ocula Report Armory Week Lowdown: Art Shows to See By Casey Carsel, New York

After structural issues forced The Armory Show into last-minute relocation pirouettes last year, the fair returns between 5 and 8 March 2020 with a flourishing programme, complemented by stand-out shows across New York City.

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Ella Kruglyanskaya Steals from Art History, Takes Back Gaze Ocula Insight Ella Kruglyanskaya Steals from Art History, Takes Back Gaze By Tessa Moldan, London

For her second solo exhibition at Thomas Dane Gallery in London, Ella Kruglyanskaya's compositions signal the many possibilities of paint.

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HomePage Artists

b. 1934, USA

Peter Saul Related Press

Connecting the Dots in the Met Breuer’s Show About Conspiracy Theories Related Press Connecting the Dots in the Met Breuer’s Show About Conspiracy Theories 15 October 2018, Hyperallergic

It will likely take me months to digest all the lessons I've learned from The Met Breuer's newest exhibition, Everything Is Connected: Art and Conspiracy , so it's a good thing that the show stays open through January.

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Everything is connected: new exhibition on art and conspiracy Related Press Everything is connected: new exhibition on art and conspiracy 17 September 2018, The Guardian

In 1974, Black Panthers artist Emory Douglas created a portrait of Gerald Ford, America's 38th president, being pulled by puppet strings held by giant corporations. A speech bubble had Ford saying: 'I Gerald Ford am the 38th puppet of the United States.'

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Peter Saul: the chocolate-smeared prankster of pop painting Related Press Peter Saul: the chocolate-smeared prankster of pop painting 3 October 2016, The Guardian

You certainly can’t mistake Peter Saul for any other artist. Splurges of lime green or spaghetti sauce red, gross caricatures of politicians, flamboyant sexual fantasies … His art is the American dream pumped up and injected with steroids, served with a hot dog and a tube of mustard coloured acrylic.

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